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Fruit

by The A's

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porter harrast
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porter harrast How interesting or unexpected could an album of American 2-part harmonies be? --Me, before hearing this Favorite track: When The Bloom Is On the Sage.
steelyd
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steelyd Elements of this album remind me of the Roches...and that is a GREAT thing! Definitely recommend this to people who like quirky folk/great harmonies.
Gretchen
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Gretchen Gorgeous debut.
I just listen on repeat.
🌸 Favorite track: When I Die.
woe_bonnet
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woe_bonnet The husky-pants saxophone on Copper Kettle drops like a tablespoon of osmium from my ears directly to my tummy. This is a warm and delightful album. Favorite track: Copper Kettle.
Edward Herbers
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Edward Herbers Just can't get enough of these harmonies. Favorite track: He Needs Me.
newcommute
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newcommute Sylvan Esso's Amelia Meath and Daughter of Swords' Alexandra Sauser-Monnig unite as The A’s for Fruit, an enchanting record that strings together sweetly sung yodel tunes, swinging cowboy waltzes, and soothing back porch lullabies with unparalleled harmonic brilliance. Favorite track: Swing and Turn Jubilee.
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  • Compact Disc (Japanese Import)
    Compact Disc (CD) + Digital Album

    Japanese version of The A's - Fruit, featuring exclusive bonus track "Lonesome L.A. Cowboy". Limited to 30 copies in the US.

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1.
He Needs Me 03:20
And all at once I knew I knew at once I knew he needed me Until the day I die I won't know why I knew he needed me It could be fantasy, oh Or maybe it's because He needs me, needs me, he needs me He needs me, he needs me, he needs me It's like a dime a dance I'll take a chance I will because he needs me No one ever asked before Before because they never needed me But he does (But I do) Maybe it's because he's so alone Maybe it's because he's never had a home He needs me, he needs me He needs me, he needs me He needs me For once, for once in life I've finally felt That someone needed me And if it turns out real Then love can spin the wheel Because He needs me, he needs me He needs me, he needs me He needs me, he needs me
2.
It's all out on the old railroad, It's all out on the sea, It’s all out on the old railroad, As far as I can see Swing and turn, Jubilee, Live and learn, Jubilee Hardest work I ever done, Was working on a farm, Easiest work I ever done, Was rolling in your arms If I had a needle and thread, As fine as I could sew, I'd sew my true love to my side And down the river we’d go If I had no horse to ride, You might find me crawling Up and down this rocky road Lookin' for my darling Some will come on a Saturday night, Some will come on Sunday, If you give them half a chance They'll come again on Monday Coffee grows on the white oak tree, Sugar runs in brandy, Girls are sweet as lumps of gold, Boys are sweet as candy
3.
Oh my bonny little gal Don't you guess Better be making your wedding dress Wedding dress, wedding dress Better be making your wedding dress Oh it's already made Trimmed in red, Dressed all around with a golden thread Golden thread, golden thread Dressed all around with a golden thread Oh it's already made Trimmed in brown Dressed all around in golden crown Golden crown, golden crown Dressed all around with the golden crown Oh it's already made Trimmed in green Prettiest thing you've ever seen Ever seen, ever seen Prettiest thing you've ever seen Oh it's already made Trimmed in white Better be ready for saturday night Saturday night, saturday night Better be ready for saturday night Oh, she wouldn't say yes She wouldn't say no All she'd do is sit and sew Sit and sew, sit and sew All she'd do is sit and sew
4.
You ask me why I'm grieving I'll tell you why I'm grieving I'm grieving for the gal that done me wrong Well gather round and listen And let this be a lesson You shouldn't never leave your gal too long Cause I left her her standing there With a do-dad in her hair Well I guess she didn't care too much for me Cause I heard that she was wed And I wish that I was dead But the chances are I'll live 'til 93 The bullfrog tried to show me Just why this gal was roamy If I should go and leave her by herself Well I just said you're crazy That gal of mine's a daisy But now she's gone and put me on the shelf Oh I left her standing there With a do-dad in her hair About the night I thought she’d be my bride But when I got out of sight Oh she didn't miss a night Til someone else was a sitting by her side If you think this song is silly Go right ahead and laugh But the heart in this hillbilly is busted right in half Cause I left her standing there With a do-dad in her hair But I guess she didn't care too much for me When she said goodbye she whispered "You know I love you best" And I'll bet two bucks she'll whisper The same to all the rest But I left her standing there With a do-dad in her hair But I guess she didn't care too much for me
5.
When it’s round up time in Texas And the bloom is on the sage Then I long to be in Texas Back a riding on the range Just smell the bacon frying When it’s sizzling in the pan Hear the breakfast horn in the early morn Drinking coffee from a can Just riding, rocking, roping Out in leather all day long Just swaying, sweating, swearing Listening to a cowhand’s song How it beckons, and I reckon I would work for any wage To be free again, just to be again Where the bloom is on sage To some folks there’s a spot that lives forever Deep down within their fondest memory I have been a rover I have never Seen any place where I would rather be
6.
Get along Poncho pony pal We’re heading for the old corral Riding, rocking, roping, rolling pony Get along Poncho on your way We’ve got some ground to cover today Riding, rocking, roping, rolling pony Get along, get along while a yodel a song To the rhythm of your hoofs on the ground It’s a rhythm so strange, it’s the rhythm of the range It’s music to my ears when I hear it all around Get along Poncho on your way We’ve got some ground to cover today Riding, rocking, roping, rolling pony Up with the dawn, to carry on Riding the range together Poncho and I ‘neath a Western sky In any kind of weather Riding along, singing a song With the hoofbeat rhythm beneath me Tie on the saddle, tie on the pack Cause we’re going home and we ain’t coming back Get along Poncho pony pal We’re heading for the old corral Riding, rocking, roping, rolling pony Riding, rocking, roping, rolling pony
7.
Go to sleep my darling baby Oh baby, the moon shines above Cuddle closer little baby Oh baby you’re my precious one Why do you sigh The stars are shining bright So tell your cares goodbye And kiss mother goodnight Go to sleep my darling baby Oh baby dreams sweet dreams of love Shadows are stealing far o’er land and field Dreamland is calling to you and to me Oh my wonderful child Time to rest your weary head The twilight is stealing for night has coming I’ll rock you to sleep while the North wind blows And sing this old lullaby, everyone knows Go to sleep my darling baby Oh baby, the moon shines above Cuddle closer little baby Oh baby you’re my precious one
8.
Get you a copper kettle Get you a copper coil Fill it with new made corn mash And never more you'll toil We'll just lay there by the juniper While the moon is bright Watch them jugs a-filling In the pale moonlight Build you a fire of hickory Hickory, ash and oak Don't use no green or rotten wood They'll get you by the smoke We'll just lay there by the juniper While the moon is bright Watch them jugs a-filling In the pale moonlight Momma she made whiskey Granddad he did too We ain't paid no whiskey tax Since 1792 We'll just lay there by the juniper While the moon is bright Watch them jugs a-filling In the pale moonlight In the pale moonlight
9.
When I Die 01:51
Oh when I die, it’ll be a while But when I die, I’ll need to remind you That I’m sorry I left you behind And I’m kissing you through this one Oh when I die, build a funeral pyre Cause when I die I’ll need to remind you Better build it high Make it burn so bright let it light your way back home Oh when I die march me to the fire cuz when I die I’ll need to remind ya play the music loud sing and dance around Oh ring all the bells in our town Oh when I die, raise your glasses high Cause when I die, I’ll need to remind you Drink to my life and forget me not In your mind I’ll be living on Oh when I die, eyes open wide oh when I die cover me in flowers So you look my way As you walk on by I will be perfume in the air Oh when I die, it’ll be a while But when I die, I’ll need to remind you That I’m sorry I left you behind And I’m kissing you through this song
10.
Buckeye Jim 02:08
Oh way up yonder above the moon A bluebird nests in a silver spoon Buckeye Jim, you can’t go Go weave and spin, you can’t go Buckeye Jim Oh way up yonder above the sky A bluejay nests in a green bird’s eye Buckeye Jim, you can’t go Go weave and spin, you can’t go Buckeye Jim Oh way down yonder in a hollow log A red bird dance with a green bullfrog Buckeye Jim, you can’t go Go weave and spin, you can’t go Buckeye Jim Oh way down yonder in a wooden trough An old woman died of the whooping cough Buckeye Jim, you can’t go Go weave and spin, you can’t go Buckeye Jim There’ll be an end to grief and pain A warm bright sky beyond the rain You don’t have wings, you can’t fly But you can dream if you try Buckeye Jim

about

Alexandra Sauser-Monnig and Amelia Meath have been yodeling together for upwards of fifteen years – in the backseat of a Prius while on their first cross-country tour, on back porches and backstages. It’s what led them to Fruit, their debut release as The A’s – a joyous ten-song collection spanning genre and decades, with interpretations of traditionals, lullabies, and an original song, it weaves between the weird and the wonderful.

“Why I’m Grieving,” originally recorded by the DeZurik Sisters, was the inspiration for the A’s existence. The A’s reach into the past to hold hands with the DeZurik Sisters, two farm girls from rural Minnesota who taught themselves to yodel amongst all their animals, in a continuing celebration of the tradition of folk eccentricity and whimsy.

The A’s played their first show together in 2013 after Sauser-Monnig first moved to North Carolina, where Meath had been living at the time, but it wasn’t until summer 2021 that they thought seriously about making Fruit. They decamped to Sylvan Esso’s Chapel Hill studio, Betty’s, for two weeks in the midst of a balmy and blooming Carolinian summer. They rehearsed during the day, deconstructing yodeling parts phonetically and staring absurdly into each other’s eyes as they practiced tongue twisting harmonies - and recorded in the nighttime, candles lit, a flickering glow against the windows framing the violet twilight outside.

“There was a lot of giggling during the session,” Sauser-Monnig explains. “At one point I was getting a tangle out of my hair and was like, oh, my God, that sounds really cool – the sound of my hands in my hair. And then I thought, what if we recorded hair for a percussion track? And then it just sort of snowballed.”

Across the record, the A’s employ a bizarre-o ghost orchestra of strange noises that are percussive and melodic. The credits include nylon shorts, string (singular), hair, shoes, ice chunk, gravel, frog sample, and shoelace, among other unexpected makeshift instrumentation. The backing band is built out by a more traditional group of players: saxophone from Sam Gendel on “Copper Kettle,” backing vocals from Jenn Wasner (Flock of Dimes, Wye Oak) on “When I Die,” string arrangements from Gabriel Kahane on “He Needs Me,” and more.

Fruit is made up simply of songs the A’s love to sing – there are lullabies and love songs; “He Needs Me,” written by Harry Nilsson and first released by Shelley Duvall in the 1980 Popeye film; traditional ballads like “Swing and Turn Jubilee,” “Copper Kettle” and closer “Buckeye Jim,” a multiplying song about frogs and nature. The sole original track to appear on the album is the penultimate “When I Die,” written by Meath. It contains both wishes and instructions for the celebration of her death, a low synth bubbling beneath Sauser-Monnig and Meath’s voices.

It’s a collection of ten seemingly incongruous songs, but with the throughline of Sauser-Monnig and Meath’s vocals and sense of humor working in tandem, they fit together into a cosmic yodeling-folk masterpiece. Fruit feels like blowing the dust off a precious artifact of decades past, but also winking and modern. Sauser-Monnig sums up their ethos on the project succinctly: “If it doesn’t make you cackle or cry, it doesn’t belong.”

credits

released July 15, 2022

Produced by Amelia Meath, Nick Sanborn and Alexandra Sauser-Monnig
Recorded at Betty’s in Chapel Hill, NC
Engineered and Mixed by Alli Rogers
Mastered by Patricia Sullivan at Bernie Grundman Mastering

Amelia Meath: vocals, guitar, recorder, hair, shoes, ice chunk, gravel
Alexandra Sauser-Monnig: vocals, guitar, hair, string, kalimba, shoelace
Nick Sanborn: backing vocals, nylon shorts, water bottle, piano, piano housing, string, guitar, OP-1, bass, electronics, programming
Alli Rogers: backing vocals, frog sample
Gabriel Kahane: string arrangements on “He Needs Me”
Gabe Witcher: violin and viola on "He Needs Me"
Alan Good Parker: guitar on “Swing and Turn Jubilee”
Sam Gendel: saxophone on “Copper Kettle”
Jenn Wasner: backing vocals on "When I Die"

Sculptures and Art Direction: Alexandra Sauser-Monnig
Photography: Kendall Atwater
Lettering: Lauren Martin
Package Design: Miles Johnson
Paper mache party crew: Will, Genna, Emily-Kate, Renee, Lily, Willie, Erin, Leo, Ari, Tzeda, Dominique and Sid the dog.

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The A's Durham, North Carolina

Squinkly bing bong shaking at the knees
Willow trees are quaky just a-bendin’ in the breeze
Tickle me tulip you’re a flower in the crown
I liked the way it sounded when you did it upside down
Rubber band snap and a clippity clap
Did you hear what happened Alli when I tipped my hat?

If you follow your glee to the sycamore tree
You just might find a rabbit in the willowy snee
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